Saturday, January 19, 2013

Theopany - The Baptism of Christ


Theophany - the Baptism of Christ
            Being of a parish that continues to use the Old Calendar can often be convenient!  I had been busy finishing a wedding icon and unable to get on with an icon of Theophany that I had already transferred to a panel before leaving New York in November.  I was definitely not going to have it finished for the New Calendar Theophany, but have just squeaked by in time for the Old!
               Since the first century there has been a Feast of Lights, so called because God is the Light and reveals Himself to illumine "those who sat in darkness and the shadow of death" (Mt. 4:16) .  This feast on January 6/19 celebrates the advent – the coming -  of the Son of God into the world as Jesus Christ, and also His early years up to and including His Baptism in the River Jordan, which marked the beginning of Jesus’ earthly ministry.
               Over the centuries, the various events of Christ’s early years were separated into individual feasts on different days: the Nativity, visitation of the Magi, Circumcision, presentation in the Temple.  The principal event, Christ’s Baptism, continued to be commemorated January 6.  For Eastern Orthodox Christians, this Theophany is more important than the Nativity, in that it is a full manifestation of Christ’s divinity.
               “Then Jesus came from Galilee to John at the Jordan, to be baptized by him.  John would have prevented him, saying ‘I need to be baptized by you, and do you come to me?’  But Jesus answered him, ‘Let it be so now; for it is proper for us in this way to fulfill all righteousness.”  Then he consented.  And when Jesus had been baptized, just as He came up from the water, suddenly the heavens were opened to Him and He saw the Spirit of God descending like a dove and alighting on Him.  And a voice from heaven said, “This is my Son, the Beloved, with whom I am well pleased.”  Matt 3:3-10.
               This is the Theophany or Epiphany of the Holy Trinity – the revelation of God the Father, God the Son and God the Holy Spirit.
               At the top of the icon we see a heavenly semi-circle with rays of light coming from it, and a beam of light that encloses a dove.  These represent God the Father and the Holy Spirit, descending  upon Christ in affirmation and blessing.
               Christ’s descent into the baptismal waters of the Jordan foreshadows his Descent into Hell and its meaning is the same: through His death Christ will save man.  The icon illustrates the paradox that Jesus is revealed as the Son of God in the submissive act of baptism by John, a mere man.  Though John is the baptizer, he is not central to the scene, but, standing on the bank, is bent over in reverence to Christ.  In many icons, a tree is placed near John with an axe at its roots to illustrate that the tree that does not bring forth good fruit is hewn down.  (Matt 3:10)  Contrary to that, John’s teachings and role are not done away with now that the Holy Trinity has been revealed.
               On the opposite bank, three angels (an image of the Trinity) with hands veiled as a sign of respect, wait to clothe Christ and minister to Him when He leaves the river.
               Without a doubt, Christ is the commanding central figure.  He appears to stand on the waters of the Jordan, strong and erectly beautiful wearing only a loincloth, although many ancient icons showed Him naked.  He seems almost as wide as the river itself, as if He himself cut the cleft between the narrow mountains.  If there is any doubt about His and John’s roles in the drama, one look at Christ’s right hand tells the story:  it makes the priestly sign of blessing on the proceedings.  It is not the waters of the Jordan that are cleansing Christ; rather He is cleansing the waters of baptism, so that we may swim in pure waters.  Water has always been used for healing and cleansing of the body, as well as for moral and spiritual cleansing.
               Throughout the ages, the waters of the river Jordan have been seen to “turn back”, to flow against its usual current.   This is told in the Old Testament, when the Ark of the Covenant was carried across the river to the Promised Land of Canaan; when Prophet Elias struck its waters with a cloak; when, after Elias’ ascension, Elijah did the same; and even in our times it has been witnessed by thousands of pilgrims at Theophany.  
Theophany Eve Holy Supper
                In many Eastern Orthodox parishes and homes today, a fasting meal is prepared which is eaten just before going to church on the eve of Theophany.  In my home parish in New York, the meal has become an annual affair, served in the church hall as a parish event.  Although sometimes a bit of "greenery" appears in the food line to brighten the table, it is more a ritual meal, much like the Jewish sedar, with the same fasting foods from year to year.  One custom I love is raw garlic cloves dipped in honey.  This symbolizes life, with its sweetness and bitterness.  Once, many years ago, I attended a supper at the home of an elderly parishioner.  Tables were set up in her cellar, the floor of which was strewn with straw to represent the stable in which the Christ Child was born.  I remember the sound of her quavery old voice, leading in the singing of the Theophany tropar:
"At Your Baptism in the Jordan, O Lord, worship of the Trinity was revealed, for the Father's voice bore witness to You, calling you His Beloved Son, and the Spirit in the form of a dove confirmed the truth of these words.  O Christ God, Who appeared and enlightened the world, glory to you!"
 

Tuesday, January 1, 2013

Archangel Michael, and an icon for a wedding


           


               To have the chance to begin work on a new icon is exciting.  Sometimes I will be asked to write a favorite icon such as the Vladimir Mother of God, and since this is one I have already done before, I can get right to work.  Maybe someone wants an icon of the patron saint of a family member for a gift, which involves a bit more of a challenge.  Recently a friend asked me to paint St. Michael for her son, so I showed her several versions.  She is not Orthodox and some versions were less appealing than others, so in the end she decided on a compilation of two.  I gave her a preliminary sketch of St. Michael in full body armor, complete with shield and spear, depicting him as the warrior for God that Orthodox people know him to be.  I really liked this sketch of him and also the freedom to choose the colors of his clothing, since there were differences.  The mom was happy and I hope Michael enjoyed his Christmas gift.

               But just recently I had an very exciting opportunity!  A friend’s daughter was being married right after Christmas and she asked me to paint a wedding icon for the couple.  She told me that she wanted it like one that had been commissioned for her wedding anniversary, in which the patron saints of herself and her husband were in the icon with Christ.  I told her I would take the idea and include the patron saints of the two young people being married.

               Although the young martyr Lucia was from Sicily, she is most popular among western European Christians, and mainly Swedish people.  The groom’s saint was young Stephen, who is called the first martyr of the Christian Church, and a deacon.    This meant that she needed to be dressed in virginal white and he in the white vestment of a deacon – not interesting from a color standpoint.

               The completed icon is a deesis of the three figures, with Christ in the center and the two young saints bowing toward him, hands in a gesture of supplication.   
                May God bless the union of these two young people.